Allegory at the marriage, Christian Friedrich Fritzsch, after Simon Fokke, 1745 - 1800 print Allegory at the marriage, placed in an elegant cartouche that is made up of flowers, plants and architectural fragments. Central in the show a man and woman are connected and acclaimed by an angel by an angel by two putti. Their hands touch each other above a burning sacrifice. The couple is assisted by allegorical figures and putti with flowerguirlandes. In the distance there is a classic building where Putti with a horn of abundance and the eternity symbol, the snake that bites in its own tail, flyin
Allegory at the marriage, Christian Friedrich Fritzsch, after Simon Fokke, 1745 - 1800 print Allegory at the marriage, placed in an elegant cartouche that is made up of flowers, plants and architectural fragments. Central in the show a man and woman are connected and acclaimed by an angel by an angel by two putti. Their hands touch each other above a burning sacrifice. The couple is assisted by allegorical figures and putti with flowerguirlandes. In the distance there is a classic building where Putti with a horn of abundance and the eternity symbol, the snake that bites in its own tail, flying around. On the right, Juno is pulled into the air by peacocks in her car. At the bottom of the cartouche, Amor with arrow and arch is on a shell, left and right above, two putti hold a cartouche. Amsterdam paper etching 'Castit marriage', 'Marital faith', 'Marriage' (Ripa). Cupids: 'Amores', 'Amoretti', 'Putti'
Size: 4892px × 3814px
Photo credit: © piemags/rmn / Alamy / Afripics
License: Licensed
Model Released: No
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