Infant Shakespeare Attended by Nature and the Passions 1799 Benjamin Smith Romney conceived this secular adoration to illuminate Shakespeare’s genius. It focuses on the baby poet blessed by cloaked Nature and watched by figures that embody human emotions. Joy and Sorrow act as chief attendants, while Love, Hatred, and Jealousy watch from the left and Anger, Envy, and Fear stand at right—the group a reminder of the mature playwright’s astounding range. The engraver created this proof to check his progress, with some areas still undeveloped and the stippling at an early stage. When complete, the
Infant Shakespeare Attended by Nature and the Passions 1799 Benjamin Smith Romney conceived this secular adoration to illuminate Shakespeare’s genius. It focuses on the baby poet blessed by cloaked Nature and watched by figures that embody human emotions. Joy and Sorrow act as chief attendants, while Love, Hatred, and Jealousy watch from the left and Anger, Envy, and Fear stand at right—the group a reminder of the mature playwright’s astounding range. The engraver created this proof to check his progress, with some areas still undeveloped and the stippling at an early stage. When complete, the print introduced a folio-size set of engravings based on paintings shown at the publisher John Boydell’s Shakespeare Gallery in London’s Pall Infant Shakespeare Attended by Nature and the Passions 708003
Size: 3676px × 2743px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
