. The air brush in photography, incorporating a progressive series of lessons . Figure SO—ligncttcd CofiihiiuUiou Prcscutiiui a Xiinihcr of Difficulti 101. Fu;uRE 30-A—Coiuplctcd Cnitibination Iriiit All of the above troubles were encountered with the combinationshown in Figure 30-A. It therefore became necessary to use the AirBrush in order to finish the picture successfully. The negatives were properly spaced and passepartouted on an11x14 sheet of paper, after which a good spray of lamp black wasused in the Air Brush, and a light outline blown closely around thefigures (free hand), increasin
. The air brush in photography, incorporating a progressive series of lessons . Figure SO—ligncttcd CofiihiiuUiou Prcscutiiui a Xiinihcr of Difficulti 101. Fu;uRE 30-A—Coiuplctcd Cnitibination Iriiit All of the above troubles were encountered with the combinationshown in Figure 30-A. It therefore became necessary to use the AirBrush in order to finish the picture successfully. The negatives were properly spaced and passepartouted on an11x14 sheet of paper, after which a good spray of lamp black wasused in the Air Brush, and a light outline blown closely around thefigures (free hand), increasing the density as the vignette was workedaway from the figures. This vignetting must be done on the glassside of negatives so as to secure a proper blend to the work. TheAir Brush should be used far enough from the subject to secure thedesired blend in the vignette, after which the remaining portions ofclear glass should be opaqued. This was done in the case shown, theopaque slightly overlapping the Air Brush work, to secure a clearwhite ground. In making such combinations, after the prints have been prop-erly dried and flattened, the Air Brush sho
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Keywords: ., bookcentury1900, bookdecade1920, bookidairbrushinph, bookyear1920
