Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . because it otters the cliaracteristics of no arcliitectnve used in Lombardy (Tatinc; from the eleventh century ; secondly, because these three capitals have the air of having been sculptured for l*()V- -. •™«>,v.».-™^i the shafts which support them, and be- cause the latter are of dmerent (hameters ;that is to say, for the one with largecolumns and for the two with smallcolumns. One cannot reasonably supposethat the church had been constructedbefore the ninth century and merely re-stor
Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . because it otters the cliaracteristics of no arcliitectnve used in Lombardy (Tatinc; from the eleventh century ; secondly, because these three capitals have the air of having been sculptured for l*()V- -. •™«>,v.».-™^i the shafts which support them, and be- cause the latter are of dmerent (hameters ;that is to say, for the one with largecolumns and for the two with smallcolumns. One cannot reasonably supposethat the church had been constructedbefore the ninth century and merely re-stored by Ansperto, for the reasons ex-pressed on page 228 are opposed to it,and, moreover, it does not present theleast index of the art of the centuriesprior to the ninth. Its plan and itsorganism, on the contrary, decisivelyacknowledge tlie Neo-Byzantine style, sothat one would not be astonished to seePig. of the ^^ ^^ Athens, at Thessalonica, or at Con-Church of S. Satyrus, Milan stautinople. — 879. Qj^g jg jjj i\^Q habit of regarding generally as the work of Anspert
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectarchitecture, bookyea
