. A short history of art . T -M •^ hf) O G y^ o --1 w UJ X U H rt •, __, o A y ? ,_; «tH. GIOVANNI VENICE ACADEMV MADOXXA OF THE TWO TREESXoble use of local types of humanity. PAINTING IN NORTH ITALY 283 Bernardino Pinturicchio (1454-1513) Pinturicchio helped Perugino in his work in the SistineChapel. In his early paintings he showed a certain fondnessfor the Florentine manner, but later he was thoroughly Peru-ginesque. He often repeated himself. He was fond ofelaborate backgrounds, of landscapes and buildings; but hisheads charm us by their simplicity. He executed many greathistorica
. A short history of art . T -M •^ hf) O G y^ o --1 w UJ X U H rt •, __, o A y ? ,_; «tH. GIOVANNI VENICE ACADEMV MADOXXA OF THE TWO TREESXoble use of local types of humanity. PAINTING IN NORTH ITALY 283 Bernardino Pinturicchio (1454-1513) Pinturicchio helped Perugino in his work in the SistineChapel. In his early paintings he showed a certain fondnessfor the Florentine manner, but later he was thoroughly Peru-ginesque. He often repeated himself. He was fond ofelaborate backgrounds, of landscapes and buildings; but hisheads charm us by their simplicity. He executed many greathistorical frescos; among others, stories from the New Testa-ment, in the Borgia apartments in the Vatican. Giovanni Lo Spagna deserves mention as an artist who en-tered into the spirit of the Umbrian school, and has left someexcellent work. EARLY-RENAISSANCE PAINTING IN VENICE The style of Giotto never attracted the Venetians, nor didit influence their art. From the first they were influenced bythe Orient, with which the city traded, and by their love ofthe beauty of the natural world. Colour
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
