The Resurrection Perugino (Pietro di Cristoforo Vannucci) Italian This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large Crucifixion in the church of Sant'Agostino, Siena. In 1502 a contract was signed with Perugino, who had been recommended as "the best painter in Italy." An attractive feature of the present picture is the feigned frame lit from the The Resurrection. Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469–died 1523 Fontignano). Tempera on wood.
The Resurrection Perugino (Pietro di Cristoforo Vannucci) Italian This exceptionally well-preserved picture and four others in the Art Institute of Chicago formed the base (predella) of an altarpiece—possibly the large Crucifixion in the church of Sant'Agostino, Siena. In 1502 a contract was signed with Perugino, who had been recommended as "the best painter in Italy." An attractive feature of the present picture is the feigned frame lit from the The Resurrection. Perugino (Pietro di Cristoforo Vannucci) (Italian, Città della Pieve, active by 1469–died 1523 Fontignano). Tempera on wood. Paintings
Size: 4000px × 2433px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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