. International studio. the disregard of form which hasbecome the affectation of the moment. But thepurpose behind it is quite Anderson knows nothing ofartistic schools modern or an-cient, nor of their his figures appear hewn outrudely, it is not through consciousdistortion of form, to an inti-mate knowledge of which he hasattained by laborious study,but because, through individualtendency, he sees things large,or, in the fullness of seeing thespirit behind them, scarcelysees them at all. Unaffectationand sincerity characterize his this reason an added
. International studio. the disregard of form which hasbecome the affectation of the moment. But thepurpose behind it is quite Anderson knows nothing ofartistic schools modern or an-cient, nor of their his figures appear hewn outrudely, it is not through consciousdistortion of form, to an inti-mate knowledge of which he hasattained by laborious study,but because, through individualtendency, he sees things large,or, in the fullness of seeing thespirit behind them, scarcelysees them at all. Unaffectationand sincerity characterize his this reason an added interestattaches to Mr. Andersons art,and a serious conjecture as towhether the similarity it has so farshown to the work of the modern-ists is a proof of their contentions,or merely a striking artistic coin-cidence. Is it true that meticulousacademic training, as the modern-ists maintain, impairs the nativevigor and spontaneity ol the work the hod carriercarved in birch, by ben anderson one of his prize-winning studies.
Size: 1288px × 1940px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
