. Review of reviews and world's work. it was in monochrome oil that he executed his it seems as though the very process of painting haddivested the compositions of their spontaneit3\ The ar-tist, too, has so obviously painted his figures from modelsthat we are aware of the shoes being unsoiled by the dustof travel, the garments but recently purchased at thecostumers. There is not a worn shoe on the twenty-sixfigures. On the other hand, this is not necessarily anorganic blemish. Weare frequently aware,in theatrical represen-tations, that an actorsclothes are not act-ually dust-begr
. Review of reviews and world's work. it was in monochrome oil that he executed his it seems as though the very process of painting haddivested the compositions of their spontaneit3\ The ar-tist, too, has so obviously painted his figures from modelsthat we are aware of the shoes being unsoiled by the dustof travel, the garments but recently purchased at thecostumers. There is not a worn shoe on the twenty-sixfigures. On the other hand, this is not necessarily anorganic blemish. Weare frequently aware,in theatrical represen-tations, that an actorsclothes are not act-ually dust-begrimedor water-soaked; yetif there are certainpantomimic touchesgiven by the actor,—if those touches arethe result of artisticsensibility,—we sup-ply much illusionfrom our own experi-ence. And there arevery many such pan-tomimic touches inMr. Lows book, andthe out-of-doors effectin the landscapes iscertainly striking. Maxfield Parrish,too, worked in novirgin soil when heundertook to illus-trate Knickerhock-er^s History of NewYork.
Size: 1392px × 1794px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, bookidreviewofrevi, bookyear1890
