Bonchurch Downs 1865 John Brett Precise natural details convey a dreamlike stillness in this Isle of Wight landscape. A sharply canted section of coastal down allows Brett to contrast purplish-gray rocks with pale grass and rusty winter foliage, as dappled touches of brilliant color describe a patch of distant sea. Wandering cows and a signal mast silhouetted against the sky suggest an unseen human presence. Brett’s early career had been molded by the leading critic John Ruskin, who acted as his mentor until a scientific argument caused a rift in 1865. Painted shortly after their parting, Bonc
Bonchurch Downs 1865 John Brett Precise natural details convey a dreamlike stillness in this Isle of Wight landscape. A sharply canted section of coastal down allows Brett to contrast purplish-gray rocks with pale grass and rusty winter foliage, as dappled touches of brilliant color describe a patch of distant sea. Wandering cows and a signal mast silhouetted against the sky suggest an unseen human presence. Brett’s early career had been molded by the leading critic John Ruskin, who acted as his mentor until a scientific argument caused a rift in 1865. Painted shortly after their parting, Bonchurch Downs still honors Ruskin’s famous advice that artists should "go to Nature in all singleness of rejecting nothing, selecting nothing, and scorning nothing.". Bonchurch Downs 696941
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Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
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