. A key to Harmony simplified and a classroom manual. ion ? ( 2 ) What is the Preparation of a Suspension . (3 ) What is the Percussion of a Suspension ? (4) What is the Resolution of a Suspension? (5 ) Do Suspensions usually resolve upward or down-ward ? ( 6) What is the difference between a Suspension and aRetardation ? ( 7 ) For what purpose are Suspensions used ? ( 8) May Suspensions occur in more than one part at atime ? (9 ) When is a Suspension resolved ornamentally ? (10) What is Anticipation ? (11) Describe Syncopation, and state how it may beproduced. i6o KEY TO HARMONY SIMPLIFIED CH
. A key to Harmony simplified and a classroom manual. ion ? ( 2 ) What is the Preparation of a Suspension . (3 ) What is the Percussion of a Suspension ? (4) What is the Resolution of a Suspension? (5 ) Do Suspensions usually resolve upward or down-ward ? ( 6) What is the difference between a Suspension and aRetardation ? ( 7 ) For what purpose are Suspensions used ? ( 8) May Suspensions occur in more than one part at atime ? (9 ) When is a Suspension resolved ornamentally ? (10) What is Anticipation ? (11) Describe Syncopation, and state how it may beproduced. i6o KEY TO HARMONY SIMPLIFIED CHAPTER XV. UNESSENTIAL NOTES ; PASSING-NOTES. [Section 317.] See pages 180, 190.[ Section 324. ] (p&H^Kgp *w ^£^55 ±±=3t I i % i i *- 4B 6 6D 7 3Q 2 phe^ I ^ 7 6 I - 7 - I : r« *r +#-•- « H *=#fe 41 ft gg^sp ^s gjftj^a _JL 6 7 .5 4 5 7 6 Z h 3 4 r? ? zr 1 fcd:=i 1 s J- :4 S* -*s>- l^: -(2- - 6 1 ggg^Egi^ t=t fc-t -I ^— & 3 - 6t5 3 E>i± Z 6 i=P=¥I T=E EXERCISES 161 a I=£z4 ¥ i^:=9i i * m ±=4 6 3 6 7b sb 6* l» li gfcfe: s. 7 8 7 9 7 7 4 5 4674 6 5 2 32352 3 3 3. fcE* H^ff^-h :^~^=p ?««-?- Wf 1 i, i id: (9- 23E g? p 9 8 7tJ -25 P 162 KEY TO HARMONY SIMPLIFIED £ J IJL-JUJJi 6l@ 9-7-7 6 5-5-5 3 - 3 - 3 f» -^- *J ?r^ *=3 H 9 8 7 9 I a * I ^ 4. 3-j J-3-J H ^—B--S1 ^ ,g*$^rffEEJg fi>- 6 0 j_j- -^——^r ^—at ?&— ;g=i|=Eg^:^ 3t ^- gs—r. ft f f ifp p ftfr^ 1 56 5 48654 654 343234323432 6 6 6 5 4 4 2 3 4 3 2 2 I QUESTIONS ON PASSING-NOTES, ETC. ( 1 ) What are Passing-notes ? ( 2 ) Do Passing-notes affect the harmonic structure par-ticularly ? ( 3 ) Do Passing-notes usually fall upon accented or un-accented parts of the measure ? ( 4 ) What are Auxiliary Notes ? ( 5 ) What are Changing-notes ? (6 ) What is the basis of Turns, Tril
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