Virgin and Child, Master of the tricky children (attributed to), Gianfrancesco Rustici (attributed to), c. 1500 - c. 1525 On an apparently chopped plinth with ditto elevation, Maria is slightly tilted backwards and turned to the right with the upper body. With one hand she holds it over her left leg struggling naked child while holding a book with the judge, from which she reads. Her head is used to the book. The child, with the right leg forward and the left backwards, grabs the right hand to Mary's right breast, who comes through a split in her robe. His smiling face with a somewhat playful
Virgin and Child, Master of the tricky children (attributed to), Gianfrancesco Rustici (attributed to), c. 1500 - c. 1525 On an apparently chopped plinth with ditto elevation, Maria is slightly tilted backwards and turned to the right with the upper body. With one hand she holds it over her left leg struggling naked child while holding a book with the judge, from which she reads. Her head is used to the book. The child, with the right leg forward and the left backwards, grabs the right hand to Mary's right breast, who comes through a split in her robe. His smiling face with a somewhat playful naughty expression is focused on this. Maria's wavy hair, on the head by two tires and held together on the back of the head through a canvas, is tied together in the neck and then falls apart loosely over the back. She wears a robe that is deposited on the neck with a wide tire and is held together around the waist by a belt. Her cloak falls over the left shoulder, runs on her right side in a large arch under the elbow and has struck the toes to the right, the toes released. The slid veil hangs on the right shoulder; The split in front of the breast shows below and above a knot. Florence terracotta (clay material) On an apparently chopped plinth with ditto elevation, Maria is slightly tilted backwards and turned to the right with the upper body. With one hand she holds it over her left leg struggling naked child while holding a book with the judge, from which she reads. Her head is used to the book. The child, with the right leg forward and the left backwards, grabs the right hand to Mary's right breast, who comes through a split in her robe. His smiling face with a somewhat playful naughty expression is focused on this. Maria's wavy hair, on the head by two tires and held together on the back of the head through a canvas, is tied together in the neck and then falls apart loosely over the back. She wears a robe that is deposited on the neck with a wide tire and is held togethe
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