The London, Edinburgh and Dublin philosophical magazine and journal of science . Fig. Here, when the intensity is a maximum, the pitch will be, asin the first case, intermediate between the primaries; when a mi-nimum, lower than the more grave of the primaries. Thus, in both the cases under consideration, each beat will be Mr. S. Taylor o?i Variations of Fitch in Beats. of two different degrees of pitch atthe moments when it is loudest andweakest respectively. In order to as-certain what happens at intermediatepoints of time, we have only to deter-mine the resultant curve for a suffi-cient
The London, Edinburgh and Dublin philosophical magazine and journal of science . Fig. Here, when the intensity is a maximum, the pitch will be, asin the first case, intermediate between the primaries; when a mi-nimum, lower than the more grave of the primaries. Thus, in both the cases under consideration, each beat will be Mr. S. Taylor o?i Variations of Fitch in Beats. of two different degrees of pitch atthe moments when it is loudest andweakest respectively. In order to as-certain what happens at intermediatepoints of time, we have only to deter-mine the resultant curve for a suffi-cient number of wave-lengths. This isdone in fig. 5, which is constructedfor the interval of a semitone (16 : 15),and represents completely the state ofthings from a maximum of intensityto the adjacent minimum. The highertone is taken as the louder of the wave-lengths here gradually di-minish as we advance from the maxi-mum to the minimum of intensity ;and, accordingly, the pitch of the va-rying tone rises continuously, passingthrough every gradation which sepa-rates its gravest va
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Keywords: ., bookcentury1800, bookdecade1840, booksubjectscience, bookyear1840