Antonio Allegri da Correggio, his life, his friends, and his time . ^s^^^^^ >* . ~%^. CHAPTER XVI CORREGCIOS IUriLS AXl) IMITATORS I-RANCESCO MARIA KONDAN I —MICHIiLANGELO —PARMIGIANINO— —GIORGIO GANDIXO DIX GRANO—DERNARDINO GATTI, CALLED IL SOIARO—LELIO ORSI OF NOVELLARA—GIOVANNI GIAROLA POMPONIO ALLEGRI — ADMIRERS AND IMITATORS—THE CARRACCI—CORREGGIOs FAME. IN our study of Correggiowe have tried to paint thesociety by which he wassurrounded, and the events ofwhich he was a witness. But sofar we have only casually men-tioned his pupils, and those artistswho
Antonio Allegri da Correggio, his life, his friends, and his time . ^s^^^^^ >* . ~%^. CHAPTER XVI CORREGCIOS IUriLS AXl) IMITATORS I-RANCESCO MARIA KONDAN I —MICHIiLANGELO —PARMIGIANINO— —GIORGIO GANDIXO DIX GRANO—DERNARDINO GATTI, CALLED IL SOIARO—LELIO ORSI OF NOVELLARA—GIOVANNI GIAROLA POMPONIO ALLEGRI — ADMIRERS AND IMITATORS—THE CARRACCI—CORREGGIOs FAME. IN our study of Correggiowe have tried to paint thesociety by which he wassurrounded, and the events ofwhich he was a witness. But sofar we have only casually men-tioned his pupils, and those artistswho were most strongly influ-enced by him. Allegris sojourn in Parmawas the immediate cause of anartistic evolution, which hasscarcely been appreciated at itstrue importance. A band of en-
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Keywords: ., bookauthorriccicor, bookcentury1800, bookdecade1890, bookyear1896
