A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The twenty-second of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first perfor
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The twenty-second of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina—also designed by A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621–1682). 1668. Etching and engraving
Size: 3639px × 2194px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
