Louis Auguste Lepère. Breaking Waves, September Tide. 1901. France. Woodcut from three blocks in water-based colors on cream laid paper Louis-Auguste Lepére began his career as a commercial wood engraver, but in 1885 he decided to begin making his own original woodcuts. Moved by Japanese prints exhibited at the 1888 Exposition Internationale de Blanc et Noir and the 1889 Exposition Universelle, Lepére experimented with the color woodcut process. Breaking Waves pays homage to the ocean imagery popular in the islands of Japan and integrates a diagonally recessed shoreline with a horizon line jus
Louis Auguste Lepère. Breaking Waves, September Tide. 1901. France. Woodcut from three blocks in water-based colors on cream laid paper Louis-Auguste Lepére began his career as a commercial wood engraver, but in 1885 he decided to begin making his own original woodcuts. Moved by Japanese prints exhibited at the 1888 Exposition Internationale de Blanc et Noir and the 1889 Exposition Universelle, Lepére experimented with the color woodcut process. Breaking Waves pays homage to the ocean imagery popular in the islands of Japan and integrates a diagonally recessed shoreline with a horizon line just above the center elements that find a counterpart in Utagawa Hiroshige’s Hamamatsu.
Size: 3000px × 2136px
Photo credit: © WBC ART / Alamy / Afripics
License: Licensed
Model Released: No
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