The manual on barbering, hairdressing, manicuring, facial massage, electrolysis and chiropody as taught in the Moler system of colleges . derthe ear. Second Movement.—Place the finger tips on the linesand with light even strokes work up, terminating eachstroke in the center of the cheek. Third Movement.—Place the finger tips in the centerof the forehead and work lightly, smoothing the linesoutward to the hair at the temples. Fourth Movement.—Beginning at the inner corner ofthe eye on the upper lid^ move across to the outer cor-ner in a curved line, using the ball of the second finger,and being
The manual on barbering, hairdressing, manicuring, facial massage, electrolysis and chiropody as taught in the Moler system of colleges . derthe ear. Second Movement.—Place the finger tips on the linesand with light even strokes work up, terminating eachstroke in the center of the cheek. Third Movement.—Place the finger tips in the centerof the forehead and work lightly, smoothing the linesoutward to the hair at the temples. Fourth Movement.—Beginning at the inner corner ofthe eye on the upper lid^ move across to the outer cor-ner in a curved line, using the ball of the second finger,and being very careful not to press heavily on the eyeball. For the little lines which form at the inner cor-ner of the eye under the lower lid, use a short strokebeginning at the nose and enamg in about the middleof the lower lid. Fifth Movement.—To preserve the cupids bow, placethe first finger in the center of the upper lip and withthe thumb and second finger work toward the stroke should be a very short one or the shape ofthe lip will be destroyed. The lower lip should betreated in the same manner. 110 MASSAGE FIFTH MOVEMENT. Sixth Movement.—In massaging the throat, use therotary movement and massage much heavier than theface. Use skin food plentifully and give particularattention to the tell-tale lines of age or stiff linen col-lars, under the ears. MASSAGE MANUAL. Ill
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