The practice of water-colour painting . ?w ?>«-« e~* -A i-Vy, Francis E. lama. ^i .- i /t, LILIES. MR. FRANCIS E. JAMES The colours he habitually uses are cobalt,cyanine blue, ceruleum, French blue, rose madder,rose dore, carmine madder, carmine, crimson lake,vermilion, light red, burnt sienna, emerald green,green oxide of chromium (opaque and transparent),viridian, yellow ochre, cadmium (Nos. i and 2),cadmium orange, permanent yellow, aureolin, rawsienna, brown madder, Vandyke brown, Romansepia, lamp black, and occasionally indigo and roseantique. Chinese white he uses very sparing
The practice of water-colour painting . ?w ?>«-« e~* -A i-Vy, Francis E. lama. ^i .- i /t, LILIES. MR. FRANCIS E. JAMES The colours he habitually uses are cobalt,cyanine blue, ceruleum, French blue, rose madder,rose dore, carmine madder, carmine, crimson lake,vermilion, light red, burnt sienna, emerald green,green oxide of chromium (opaque and transparent),viridian, yellow ochre, cadmium (Nos. i and 2),cadmium orange, permanent yellow, aureolin, rawsienna, brown madder, Vandyke brown, Romansepia, lamp black, and occasionally indigo and roseantique. Chinese white he uses very sparinglyand never for corrections. 9i. MR. HERBERT MARSHALL, There is to be noted in the water-colour work ofMr. Herbert Marshall a very interesting combina-tion of vigorous actuality and poetic suggestion,and there is, too, a decidedly instructive definitenessof technical method. The architectural subjectsto which he has devoted a large part of his energieshave certainly demanded of him decisiveness ofstatement and a certain firm precision of bothdrawing and painting, but his pictorial instincthas led him to temper the severity of the motiveshe has chosen by presenting them under attractiveconditions of atmospheric effect. His groups ofbuildings and street scenes, painted in a glow ofaerial colour or in the mystery of twilight, appealquite as strongly to the lover of natures beautiesas they do to the man who interests himself in thesolution of architectural problems—Mr. Marshall 93 WATER-COLOUR PAINTING looks at such subjects with an architects knowledge,undeniably, but he interprets them with thesensitiveness an
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectwatercolorpainting
