The Modern way in picture making : published as an aid to the amateur photographer . Developed in M O . ha!/a^ slrois: as thatadvised in ni.^di nciion shett. in .1/. Q , slirngtli <;in insti lution slie^t. ing yellow whites, so packages should not be left open and printsshould be de\eloped immediately after exposure. Permanency—The permanency of Velox prints has never been of any Velox print depends upon the thoroughness ofmanipulation. It is beyond question that with correct developerfreshly prepared and with thorough fixing and washing, Velox printswill b


The Modern way in picture making : published as an aid to the amateur photographer . Developed in M O . ha!/a^ slrois: as thatadvised in ni.^di nciion shett. in .1/. Q , slirngtli <;in insti lution slie^t. ing yellow whites, so packages should not be left open and printsshould be de\eloped immediately after exposure. Permanency—The permanency of Velox prints has never been of any Velox print depends upon the thoroughness ofmanipulation. It is beyond question that with correct developerfreshly prepared and with thorough fixing and washing, Velox printswill be absolutely permanent. Many dealers have sample prints whichwere sent them years ago and have exposed them continually to e\eryconceivable atmospheric condition. This is an unanswerable argumentin favor of Velox permanency. AZO PAPER. Azo may be exposed the same as Velox. After taking prints from the printing frame, soak them for a fewseconds in clear cold water. This softens the paper and allows the devel-oper to act freely and e\enly o\er the surface of the print. Place the


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