The Repository of arts, literature, commerce, manufactures, fashions and politics . ntry, helived at the west end of the day, after paying several vi-sits, he found himself a little out ofhis latitude, and called a hackneycoach, when this dialogue ensued :Coachman (Shutting the door.)Where to, sir? Yan. Home—man ami—you go mehome. Coachman. Home, sir, but where?Yan. 13v gar, I know no—de nameof dedam sticet hascchape—has escapednit of mv memory-—I hu\e forgot Coachman. (Grins.)Yan. Ah! you are gay—rome now—you understand de mnsique—Eh! Coachman. Music—whats that todo
The Repository of arts, literature, commerce, manufactures, fashions and politics . ntry, helived at the west end of the day, after paying several vi-sits, he found himself a little out ofhis latitude, and called a hackneycoach, when this dialogue ensued :Coachman (Shutting the door.)Where to, sir? Yan. Home—man ami—you go mehome. Coachman. Home, sir, but where?Yan. 13v gar, I know no—de nameof dedam sticet hascchape—has escapednit of mv memory-—I hu\e forgot Coachman. (Grins.)Yan. Ah! you are gay—rome now—you understand de mnsique—Eh! Coachman. Music—whats that todo v\ith the streei r Yan. Ah! sous verm—you shall see(hums a tune)—Vat isdat?Coachman. Ah! by gar—uat his bim—Marlhorough-street—now you drive ame home—i,h! This is a fact. Vv7c have often heard, that music hath charms ; to do many clever things, but this is, we believe, the first time of its diviauals serving it, who, as a body, ! instructing a hackney-coachmanare remarkable for their industry where he was to set down. 4 I » > $ r *. &p *=> 4: • V .•
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Keywords: ., bookauthorac, bookcentury1800, bookdecade1800, booksubjectfashion
