. What pictures to see in America. - *^33HBSK*^^~^^^^-^—-- ..??.„?» ;jjj^,. Fig. 170—The Home of the Heron. Inness. The Art Institute, Fig. 171—The Coming Storm. Keith. The .\rt Institute, Chicago. CHICAGO 261 fields at our feet. As years passed Inness nar-rowed the expanse of country represented anddeepened the significance of each special is no mistaking the human sentimentthat every landscape of his breathes earth is mans to have dominion over. Who has not looked across the valley Aftera Spring Shower and watched the clouds liftand drift away as the sun broke


. What pictures to see in America. - *^33HBSK*^^~^^^^-^—-- ..??.„?» ;jjj^,. Fig. 170—The Home of the Heron. Inness. The Art Institute, Fig. 171—The Coming Storm. Keith. The .\rt Institute, Chicago. CHICAGO 261 fields at our feet. As years passed Inness nar-rowed the expanse of country represented anddeepened the significance of each special is no mistaking the human sentimentthat every landscape of his breathes earth is mans to have dominion over. Who has not looked across the valley Aftera Spring Shower and watched the clouds liftand drift away as the sun broke through therifts? Again the artists own words index hisart: I would not give a fig for art ideas ex-cept as they represent what I perceive behind them Rivers, streams, the rippling brook, the hillside, the sky, clouds—all thingswe see—will convey the sentiment of the high-est art if we are in the love of God and thedesire of truth. As we linger before his Early Morning(Fig. 169) a feeling of reverence steals overus, for surely it is a morning prayer of thanks-giving. Tenderly and lovingly the rising mistkisses the green things as i


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Keywords: ., bookcentury1900, bookdecade1910, bookpublishernewyo, bookyear1915