. Programme . rk, on April 12, 1877. Max Maretzek was managerand conductor. The cast was as follows: Philip II,, Dal Negro;Don Carlos, Celada; Marquis de Posa, Bertolasi; The Grand Inquisi-tor, Garinl; A Friar, Bacelli; Elisabeth, Mme. Palmiere; PrincessEboli, Miss Rastelli (her first performance) ; Tobaldo, Miss Persi-ani; Herald, Barberis. Mme. Gueymard, a mezzo-soprano, created the part of the PrincessEboli. Before her marriage she was Pauline Lauters, the daughterof a painter in Brussels, where she was born December 1, 1834. Shefirst studied painting, but decided to be a singer, for her vo
. Programme . rk, on April 12, 1877. Max Maretzek was managerand conductor. The cast was as follows: Philip II,, Dal Negro;Don Carlos, Celada; Marquis de Posa, Bertolasi; The Grand Inquisi-tor, Garinl; A Friar, Bacelli; Elisabeth, Mme. Palmiere; PrincessEboli, Miss Rastelli (her first performance) ; Tobaldo, Miss Persi-ani; Herald, Barberis. Mme. Gueymard, a mezzo-soprano, created the part of the PrincessEboli. Before her marriage she was Pauline Lauters, the daughterof a painter in Brussels, where she was born December 1, 1834. Shefirst studied painting, but decided to be a singer, for her voice wasremarkable for compass and quality. Having taken the first prize SPREiOi BUTTEl OriginalDanish Formula AN ARTICLE OF EXCELLENCERECOGNIZED BY PARTICULARPEOPLE—AT MOST GOOD SHOPS H. G. CUSHMAN 136 State Street, Boston Main 4248 New England Distributor ITS SALADA ORANGE PEKOE AT BREAKFAST,DINNER, SUPPER At Special FIVE OCLOCKS and every other time and placewhere a cup of tea IN PERFECTION is B569 BLACK, GREEN OR MIXED Sealed Packets Only 481 at the Brussels Conservatory, and married one Deligne, she wentto Paris, sang in concerts, and made her operatic debut at theTh6atre-Lyrique, October 7, 1854, under the name of Mme. Deligne-Lauters, in a new opera by Gevaert, Le Billet de taken other parts at this theatre she went to the Op6ratowards the end of 1856, and made her first appearance as Leonorain the French version of II Trovatore, January 12, 1857, the firstperformance of Verdis work at that theatre. A tenor named Guey-mard took the part of Manrico. She married him in 1858, and tenyears afterwards was legally separated from him. Until 1876 shewas one of the glories of the Paris Opera, excelling, perhaps, asValentine and Fides. Her voice was full, of velvet quality, smoothand even, and of generous compass. Her intonation was perfect;her nature passionate; she was mistress of the grand style. We aretold that for twenty years of an interrupte
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Keywords: ., bookcentury1800, bookdecade1880, bookidprogramme192, bookyear1881
