. Sunday Afternoon . Sunday Afternoon The theme of a woman seated beside a window has a long tradition in Belgian and Dutch painting, most notably represented by the interiors of Jan Vermeer. In this canvas, Morren recasts the motif in the language of Neo-Impressionism. Morren transforms this silent realm crowded with furnishings and keepsakes into an intricate, colorful pattern of carefully applied dots. He even paints the paisley shawl in both shadow and bright light. The twisted rods at the right are the drying racks of a stove. They add a strangely energetic note to the motionless scene.
. Sunday Afternoon . Sunday Afternoon The theme of a woman seated beside a window has a long tradition in Belgian and Dutch painting, most notably represented by the interiors of Jan Vermeer. In this canvas, Morren recasts the motif in the language of Neo-Impressionism. Morren transforms this silent realm crowded with furnishings and keepsakes into an intricate, colorful pattern of carefully applied dots. He even paints the paisley shawl in both shadow and bright light. The twisted rods at the right are the drying racks of a stove. They add a strangely energetic note to the motionless scene. Wikipedia Loves Art at the Indianapolis Museum of Art This photo of item # at the Indianapolis Museum of Art was contributed under the team name 'Opal Art Seekers 4' as part of the Wikipedia Loves Art project in February 2009. Indianapolis Museum of Art The original photograph on Flickr was taken by Forever Wiser—please add a comment to the original Flickr page whenever a use has been made on Wikipedia or another project. Project galleries on Flickr: this institution, this team . 1892 ; Photographed February 2009. Wikipedia Loves Art participant 'Opal Art Seekers 4' 651 WLA ima Sunday Afternoon
Size: 2579px × 1938px
Photo credit: © The Picture Art Collection / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: .odonnell, indy, opalartseekers4