Salomo's oordeel, Hans Jamnitzer (attributed to), c. 1550 - c. 1575 Round, lead plaque, cut off from above. In the middle Solomon on his throne, the back to a fantastic palace façade. He turns his head to the standing woman on the far right, who wrongly claims the living child as hers. In the foreground the real mother, kneeling and in a pleading attitude. Between them is the dead child of the first woman. On the left for the king a soldier who, on the King's order, has to cut the controversial child in two, as a result of which assignment was recognized. In the background buildings in a mount
Salomo's oordeel, Hans Jamnitzer (attributed to), c. 1550 - c. 1575 Round, lead plaque, cut off from above. In the middle Solomon on his throne, the back to a fantastic palace façade. He turns his head to the standing woman on the far right, who wrongly claims the living child as hers. In the foreground the real mother, kneeling and in a pleading attitude. Between them is the dead child of the first woman. On the left for the king a soldier who, on the King's order, has to cut the controversial child in two, as a result of which assignment was recognized. In the background buildings in a mountain landscape. Nuremberg lead (metal) casting Round, lead plaque, cut off from above. In the middle Solomon on his throne, the back to a fantastic palace façade. He turns his head to the standing woman on the far right, who wrongly claims the living child as hers. In the foreground the real mother, kneeling and in a pleading attitude. Between them is the dead child of the first woman. On the left for the king a soldier who, on the King's order, has to cut the controversial child in two, as a result of which assignment was recognized. In the background buildings in a mountain landscape. Nuremberg lead (metal) casting
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