. Art in France. FIG. 163.—CHALICE OF SAINT-RI^MI. TREASURY OF THE CATHEDRAL OF REIMS. {Pholo. Ncurdcin.) ART IN FRANCE. FIG. 164.—CATIIKDRAL OF REIMS. CAPITAI. OFA PILLAR IN THE LADY CHAPEL. luxuriance, when we compare it with this freshness! Later, atthe end of the fourteenth century, the last Gothic artists carved the sharp and curling formsof cabbage, chicory, andthistle ; on the stone angles, ason the pages of manuscripts,the indented and serratedleaves of plants flourish inprofusion. Like Gothic archi-tecture itself, the Gothicflora became fragile and com-plicated. BIBUOGRAPHY. The same
. Art in France. FIG. 163.—CHALICE OF SAINT-RI^MI. TREASURY OF THE CATHEDRAL OF REIMS. {Pholo. Ncurdcin.) ART IN FRANCE. FIG. 164.—CATIIKDRAL OF REIMS. CAPITAI. OFA PILLAR IN THE LADY CHAPEL. luxuriance, when we compare it with this freshness! Later, atthe end of the fourteenth century, the last Gothic artists carved the sharp and curling formsof cabbage, chicory, andthistle ; on the stone angles, ason the pages of manuscripts,the indented and serratedleaves of plants flourish inprofusion. Like Gothic archi-tecture itself, the Gothicflora became fragile and com-plicated. BIBUOGRAPHY. The same general works as for ChapterII. Villard de Honnecourt, Album manu-scril published by L-cissus and Darcel, Paris,1858. Anth. Saint-Paul, 5imp/e memoiresur Iorigine du style ogrval (B. M., 1873).Louis Gonsc. LArt gothique, Paris,1890.—Ch. H. Moore. Development andCharacter of Gothic Architecture. NewYork, 1899.—G. von Bezold. Die Enisle-hung undAiisbildung derGothischen Bau-kunsi in Frankreich, Berlin, 1891. , Die Anfange des Gothi^chenBaustils (Reperlorium ftir Kunstwissenschaft. 1896).—H. Stein, Les
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