. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. fourths, fifths, sixths, sevenths,or octaves. Every conceivable variety of tonal-shading is possible upon these instruments ran-ging from the softest pianissimo to thestrongest fortissimo or the reverse. Thefollowing examples illustrate how these Drumsare to be employed in a practical manner. ;9±e^ Its: or ir tr Allegro. s:=ts:: :ez:|izsi ^-^v r^^- Adagio. Tr ^^^^ p^i„ .^^ _ ::*=1=j=*=i m :]=1-*:: n=
. Modern orchestration and instrumentation : or, The art of instrumentation ; containing detailed descriptions of the character and peculiarities of all instruments and their practical employment. fourths, fifths, sixths, sevenths,or octaves. Every conceivable variety of tonal-shading is possible upon these instruments ran-ging from the softest pianissimo to thestrongest fortissimo or the reverse. Thefollowing examples illustrate how these Drumsare to be employed in a practical manner. ;9±e^ Its: or ir tr Allegro. s:=ts:: :ez:|izsi ^-^v r^^- Adagio. Tr ^^^^ p^i„ .^^ _ ::*=1=j=*=i m :]=1-*:: n=:i^=,==R: jiLMl^^—itz^zMzaL -0—•—0- In modern times as many as from 3 to 16Kettle-Drums have been employed in the or-chestra;! Berlioz, f. i., in the Tuba Mirum of his Requiem employs 8 pairs of differentlytuned Kettle-Drums manipulated by ten players,as shown in the following extract: « Rossini has made use of this high G in the introduction of his Stabat Mater. t Mozart has also employed 4 Kettle-Drums in his 10 Compositions (Kochel Catalogue, No. 187) as well as in one of his Diver-(Kochel Catalogue, No. 188). 176 KLINGS MODERN INSTRUMENTATION AND ORCHESTRATION. 5 ^.tm>A\. (■J3UJ03 qijosj (jaujo^ isEjj (uauaoQ jsa^w W)S9ii3jQ jsi) -KJisaiiDJo pj ) -Ej^saiibjo pf) fjauj03 qjnoc;■EiisaqoJO m*) ■pns tiBaiisaqojo ani^ oS oX ol 5J ^ il l\as g|£§ Su 5S. H^ fli is alii 1^ •EnsaqoJO aSjB] aq; jo aippiuiam III uiEuiaj auojE siuoi) aqj, -Apoq jEjuaiunjisui puElEjoiji jEajS ai]} jo sjaujoD jnbj aqj 5E ;jEdE paaEjd aqpinoqs suiauJiuj^U! ssEjq jo SEj^saqDJO HEuis t asaqj •aijsatiDio pnBJ3 np natiicn we vmyk^isinas sioo sai -aiBanamnnsni ja atBioqa bssBm apnEi3ei ap saiSav aii^nb xhe inaniaiosi saa^id 3ii9 inaAiopajAina ap s^aamni^ sansaqaiQ sv^ad aj:(snb sab GROUP III. —INSTRUMENTS OF PERCUSSION. 177
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