. International studio. numental and effective delineator in OttoMarkus, who does not possess elevating powers BY OSMAR SCniNDLEit Hans Unger, from Dresden, arrests atten-tion by the beautiful austerity of his femaletype, which makes us seek for the mys-teries of Psyche behind majestic com-posure. In him we have another seekerafter beauty, but with this classicality amondaine element intermingles. Otto is strengthening his position as oneof the favourite Berlin masters by sym-pathetic and solidly executed is the realist who draws fresh strengthfrom favourite haunts on the


. International studio. numental and effective delineator in OttoMarkus, who does not possess elevating powers BY OSMAR SCniNDLEit Hans Unger, from Dresden, arrests atten-tion by the beautiful austerity of his femaletype, which makes us seek for the mys-teries of Psyche behind majestic com-posure. In him we have another seekerafter beauty, but with this classicality amondaine element intermingles. Otto is strengthening his position as oneof the favourite Berlin masters by sym-pathetic and solidly executed is the realist who draws fresh strengthfrom favourite haunts on the Frisian coast,with their lingering traces of local peasant-culture. His excellent portrait of thepainter Franz Stassen, which, in its straightlineaments, mirrors so luckily the art-character of the sitter, is quite deservingof its place among our best portraiture. Ludwig Dcttmann, the naturalist, witha strong bent for the emotional, hasfathomed the technicalities of impression-ism. His observation of sunlight is very230. STILL life (Grosse Berliner Aunst-Ausstclluf>g\ KV ANDEKLEY MOLLER Studio-Talk


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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament