. History of lace. Mgr. le Dauphin. Arch. Nat. K. 505, Jacob Johnson, born at Antwerp,. No. 20. laee-maker, and Antony du Veal, lace- 1792. 2 tayes doreillier garnis de weaver, born in Turny (Tournay). maline.—Notes die linge du ci-devant ^^ This portrait has been engraved. Boi. Ibid. No. 8. by Verbruggen, who gives it as that^ 1792. 24 fichus de batiste garnis of Catherine of Maline. I30 HISTORY OF LACE were expedited first to Cadiz, and there disposed of. In1696, we find in a seizure made by Monsieur de la Belliere,on the high seas, 2181 pieces de dentelles grossieres aIEspagnole a
. History of lace. Mgr. le Dauphin. Arch. Nat. K. 505, Jacob Johnson, born at Antwerp,. No. 20. laee-maker, and Antony du Veal, lace- 1792. 2 tayes doreillier garnis de weaver, born in Turny (Tournay). maline.—Notes die linge du ci-devant ^^ This portrait has been engraved. Boi. Ibid. No. 8. by Verbruggen, who gives it as that^ 1792. 24 fichus de batiste garnis of Catherine of Maline. I30 HISTORY OF LACE were expedited first to Cadiz, and there disposed of. In1696, we find in a seizure made by Monsieur de la Belliere,on the high seas, 2181 pieces de dentelles grossieres aIEspagnole assorties. *^ (PLate XLL) Since the cessation of this Spanish market, Antwerp hicewould have disappeared from the scene had it not been forthe attachment evinced by the old people for one pattern,which has been worn on their caps from generation togeneration, generally known by the name of pot lace{potten kant). It is made in the Beguinages of threequalities, mostly * fond double. The pattern has always a Fig. A Lady of Antwkri.—(Ub. 1598. After (.lispiii de Passe.) vase (Fig. 64), varied according to fancy.^^ Antwerp nowmakes Brussels lace. One of the earliest pattern-books, that printed l)y ^^—the title in English—was published at Antwerp,but it only contains patterns for Spanish stitch and other•eml)roidery—no lace. There is no date affixed to the title-page, which is ornamented with six woodcuts representing •- Mercure Galant, 1696. ^ The flower-pot was a symbol ofthe Aniiimciation. In the early repre-sentations of the appearance of theAngel Gabriel to the Virgin Mary, lilies•are placed either in his hand, or set as i accessory in a vase. As Romanismdeclined, the angel disappeared, and thelily pot became a vase of flowers; subse-quently the Virgin was omitted, andthere remained only the vase of flowers.^ See Appendix. CO hO
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