. Orchestration . Mozarts set for Papagenos music in the Zcmberflote has a chromaticcompass from $ *Z and he also writes for them as transposing instruments, but at anoctave below their true pitch. Glockenspiel. P P* EXAMPLE 22. Mozart. Zauberflote. L»p m m SOUNDING. After dropping out of use for half a century, the Glockenspiel hasnow returned, but—like Bottom—. translated. It is no longer a set *The correct English for Glockenspiel is Chime-Bells. This might well berevived. Chimes of small bells are represented and described in England from theeleventh century onwards. THE GLOCKENSPIEL 61 of
. Orchestration . Mozarts set for Papagenos music in the Zcmberflote has a chromaticcompass from $ *Z and he also writes for them as transposing instruments, but at anoctave below their true pitch. Glockenspiel. P P* EXAMPLE 22. Mozart. Zauberflote. L»p m m SOUNDING. After dropping out of use for half a century, the Glockenspiel hasnow returned, but—like Bottom—. translated. It is no longer a set *The correct English for Glockenspiel is Chime-Bells. This might well berevived. Chimes of small bells are represented and described in England from theeleventh century onwards. THE GLOCKENSPIEL 61 of little Bells, but a series of steel plates. Its keyboard is gone and,instead, the player uses a couple of wooden hammers. The two standard patterns of Glockenspiel in this country are(1) An instrument of twenty-seven chromatic notes from sK. I (2) An instrument of thirty-seven chromatic notes from to i In the best instruments the plates are mounted ladder-wise in twoparallel rows on a horizontal surface. Of these two rows the platesmaking up the diatonic scale of C major from u — A JOL — I run in a direct line away from the player on his right-hand side, whilethe chromatic notes are similarly placed, but on his left. Underneatheach plate is an accura
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectinstrumentationandor
