. International studio. he is seated holding the Infant on herleft knee. He is giving the benediction with Hisright hand while holding a closed book in Hisleft. The seat in champleve enamel shows twosaints on the side panels and on the back an angel. Most probably there are many other Virginsin existence showing the same technique and styleof workmanship, but they are unknown. * One of the two groups is reproduced in the Gazettedes Beaux Arts, 1897, Vol. 2, page 214, in an article byMarguet de Yasselot on Le Tresor de lAbbaye deRoncevaux; the other group is reproduced in EmileBertaux: Expositi
. International studio. he is seated holding the Infant on herleft knee. He is giving the benediction with Hisright hand while holding a closed book in Hisleft. The seat in champleve enamel shows twosaints on the side panels and on the back an angel. Most probably there are many other Virginsin existence showing the same technique and styleof workmanship, but they are unknown. * One of the two groups is reproduced in the Gazettedes Beaux Arts, 1897, Vol. 2, page 214, in an article byMarguet de Yasselot on Le Tresor de lAbbaye deRoncevaux; the other group is reproduced in EmileBertaux: Exposition de Saragose. 1908, page 247. t Camille Roddaz: Lart ancien a Vexpositionnationale Beige, page 25. * Ernest Rupin: Lwmre de Limoges, page 468,Xo. 518. t Ernest Rupin: Leeuvre de Limoges, page 469,No- 519. 520. t Giraud: Les A rts du metal a Iexposition de 1880de Iunion centrale des Beaux Arts. pi. VIII. § Catalogue de la collection du comle de la Beraudiere,1885, page 88, Xo. 395. |j Ernest Rupin: Leeuvre de MEMORIES BY CARLE J. BLENNER Henry Golden Dearth H ENRY GOLDEN DEARTHBY CHARLES L. BUCHANAN It is something more than an idlephrase that tells us the good die so far as anything in our sorry, discrepantworld is susceptible to explanation, this matter issusceptible to explanation. The fine nature isless fitted to survive than the coarser nature; itwears itself away through the intensity of itsreactions to external shock, and to the intensityof its self-created impressions and reports that a Mansfield or an Irving,a Keats or a Manet succumbed to one or anotherof a dozen organic defects; but science does notrecord the thousand heartaches, the perpetualwear and tear, the wrench and jolt of quotidiandefeat, disappointment, disillusion, that went tothe premature breaking down of their vitality. All courage is beautiful; but there is a kind ofcourage that does not carry a face value for thecareless and the superficial scrutiny. The obsta-cl
Size: 1343px × 1861px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
