. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . 96 THE THEORY AND PRACTICE OF TONE-RELATIONS. Par. 200. *i) This chord, the last one in C, is, at the same time, the V of the coming key — F. (InEx. 147, the modulations are all diatonic. Analyze carefully, and note the double name ofthe last chord in C, in each case — as above.) — *2) Here, the last chord in C does not be-long to the coming a minor, because of the g; therefore, this g must be inflected to g-sharp. 200. The rules of chromatic inflection are as follows: a) As
. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . 96 THE THEORY AND PRACTICE OF TONE-RELATIONS. Par. 200. *i) This chord, the last one in C, is, at the same time, the V of the coming key — F. (InEx. 147, the modulations are all diatonic. Analyze carefully, and note the double name ofthe last chord in C, in each case — as above.) — *2) Here, the last chord in C does not be-long to the coming a minor, because of the g; therefore, this g must be inflected to g-sharp. 200. The rules of chromatic inflection are as follows: a) As a rule, the chromatic change should be made in one and the samepart (as above, in alto). b) If, however, the two chromatic tones are not in the same part (caus-ing the so-called cross-relation), it is simply necessary that the first oneof these tones should not *3)a0V *i) The chromatic inflection (g — g-sharp) is divided between two different parts.—*2) The alto note g skips to e, while its duplicate in tenor is being chromatically inflected.*3) This measure, and the following ones, are correct, because the g progresses diatonicallyto / in one of the parts. — *4) That is, C major to a minor. LESSON 37. A. Name the 5 next-related keys of every major and minor key, mentally. B. Write out the following chord-progressions, in ordinary 4-part harmony, as usual;each in several different ways; all chord-forms (inversions) optional: G I-C V *i) f I-Eb n-v lh\. e I-a V *i)o Fl-dV7 7 dI-F0V || AI-E V7 f# I-c# 0V Ab I-c II-V |I D I-e 0V || E I-f# II-V || g# I-E V || bb I-Gb 0V || c I | Bb I2-V || b I | f# *i) Capital letters represent major keys, small letters, minor keys,chord of each group into its I. Resolve the last CHAPTER XXXII. NEXT-RELATED MODULATIONS, COMPLETE. 201. A modulation is distinguished as complete, when the prospectivekey becom
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