. Colour in woven design . Fig. 36a. 200 COLOUR IN WOVEN DESIGN. ments, because they are but extensions of Schemes IV. ; but they are so important in practice, thatthey must be considered as distinct principles of groupingcolours. They are mainly employed when well-pronouncedpatterns are required in fine yarns, in which instances theyyield far more effective styles than the schemes of shadesfrom which they are derived. Then, in fancy woollens ofa tweed character whose surfaces are a mass of loud andbold checks, these orders of colourings are invaluable. Inboth worsted and cotton dress
. Colour in woven design . Fig. 36a. 200 COLOUR IN WOVEN DESIGN. ments, because they are but extensions of Schemes IV. ; but they are so important in practice, thatthey must be considered as distinct principles of groupingcolours. They are mainly employed when well-pronouncedpatterns are required in fine yarns, in which instances theyyield far more effective styles than the schemes of shadesfrom which they are derived. Then, in fancy woollens ofa tweed character whose surfaces are a mass of loud andbold checks, these orders of colourings are invaluable. Inboth worsted and cotton dress and tweed mantlings theyare also used
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectcolorin, bookyear1890
