The antique Greek dance, after sculptured and painted figures . Fig. 428. Fig. 429. This series is the one ranging from Fig. 430 to 437. One image(Fig. 428) is enough to enable us to reconstruct the entire move-ment. The dancer, having arrived at the Position reproduced by , passes to the contrasting Position. This means oscillating be-tween the limit-Positions (Fig. 430 -f- 434 -f- 437) ; the intermediatemoments will come naturally. Fig. 430 = Fig. 428: essential moment (284). Fig. 431: intermediate moment. Fig. 432: intermediate

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Keywords: ., bookcentury1900, bookdecade1910, bookpublisherl, booksubjectdance