. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. d cartouches, in capitals and panels, on thebacks of chairs, and in general on carved furniture, _ on stove-tiles, & possess a number of excellent Caricatures from the hand of theyouthful Michelangelo, who treated this form with predilection, andwith the breadth characteristic of his genius. Plate 62. The Grottesque Mask. 1. Etruscan, terracotta, Campana collection, (F. A. M., Coursdornement). 2. Grottesque, Italian Renascence, Venice. 3. Grottesqu
. Handbook of ornament; a grammar of art, industrial and architectural designing in all its branches, for practical as well as theoretical use. d cartouches, in capitals and panels, on thebacks of chairs, and in general on carved furniture, _ on stove-tiles, & possess a number of excellent Caricatures from the hand of theyouthful Michelangelo, who treated this form with predilection, andwith the breadth characteristic of his genius. Plate 62. The Grottesque Mask. 1. Etruscan, terracotta, Campana collection, (F. A. M., Coursdornement). 2. Grottesque, Italian Renascence, Venice. 3. Grottesque, tomb of the cardinal Sforza, Sta. Maria del Popolo,Rome, Italian Renascence, by Sansovino. 4. Single Grottesque, from frieze, Italian Renascence, by Michel-angelo, San Lorenzo, Florence. 5. Part of capital of pilaster, French Renascence, tomb of Louis XII,St. Denis. 6—7. Modern French Grottesques. Plate 63. The Grottesque Mask. 1. Carved bench, Italian Renascence, Bargello, Florence, 2—3. Female, metal shields, German Renascence. 4. Akroter, Tribunal de Commerce, Paris. 6. Grottesque, Louvre, Paris, (Baldus). 96 NATURAL Plate 61. The Mask, &c. NATURAL FORMS. 97
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectdecorationandornamen
