Modern music and musicians : [Encyclopedic] . BY PERMISSION COPYRIGHT, 1396, BY FRAN2 HANFSTAENGL THE ONE-HUNDREDTH the painting by W. Spatz. FELIX MENDELSSOHN-BARTHOLDY BY CARL REINECKE Wen die Gotter liebeuDem Geben sie GleichmassIn alien Dingen;.Zu der Phantasie Die Erde und Himmel umfassen willDen wagenden VerstandDer sie gefesselt haltIm einfach Schonen. WHEN Felix Mendelssohn Bartholdy wrote his Paulus he waseverywhere recognized as the most famous living composer; pub-lishers strove with each other to obtain his compositions; youthful artiststhronged around him; the public bo
Modern music and musicians : [Encyclopedic] . BY PERMISSION COPYRIGHT, 1396, BY FRAN2 HANFSTAENGL THE ONE-HUNDREDTH the painting by W. Spatz. FELIX MENDELSSOHN-BARTHOLDY BY CARL REINECKE Wen die Gotter liebeuDem Geben sie GleichmassIn alien Dingen;.Zu der Phantasie Die Erde und Himmel umfassen willDen wagenden VerstandDer sie gefesselt haltIm einfach Schonen. WHEN Felix Mendelssohn Bartholdy wrote his Paulus he waseverywhere recognized as the most famous living composer; pub-lishers strove with each other to obtain his compositions; youthful artiststhronged around him; the public bought, sang, and played his worksrather than those of any one else; and, most indicative of his standing,the greatest contemporary composers recognized him without envy astheir leader. Those who yielded Mendelssohn this place — RobertSchumann, Ludwig Spohr, Franz Lachner, Niels W. Gade, WilliamSterndale Bennett, Wilhelm Taubert, and Ignaz Moscheles — were nomean composers. But how changed it is to-day, though little more thana half-centur
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Keywords: ., bookcentury1900, bookdecade1910, bookidmode, booksubjectmusicians
