Ole Bull, a memoir . McKenzie, extract from Ser-mon on Thanksgiving Day, 1880,407. 27 Raphaels Parnassus, Apollo withthe viol in, 353. Sansecondo, Giacomo, , Sanctus, violins, , Antonius, 352,353, 355. Tartini, letter on the use of thebow, 342 ; Ole Bulls opinion of,341, development of violin intime of, 351 ; his style of bowingadopted by Paganini, 370. Troupenas, the music publisher, 373. Violin Notes, by Ole Bull: prefaceby W. E. Colton, 347 ; origin ofthe violin, 348 ; Gaspar da Saloand the Cremona school, 351 ;Ole Bulls Gaspar da Salo violin,356; hi


Ole Bull, a memoir . McKenzie, extract from Ser-mon on Thanksgiving Day, 1880,407. 27 Raphaels Parnassus, Apollo withthe viol in, 353. Sansecondo, Giacomo, , Sanctus, violins, , Antonius, 352,353, 355. Tartini, letter on the use of thebow, 342 ; Ole Bulls opinion of,341, development of violin intime of, 351 ; his style of bowingadopted by Paganini, 370. Troupenas, the music publisher, 373. Violin Notes, by Ole Bull: prefaceby W. E. Colton, 347 ; origin ofthe violin, 348 ; Gaspar da Saloand the Cremona school, 351 ;Ole Bulls Gaspar da Salo violin,356; his Nicholas Amati, 358;the bridge, 359; the sound-post,360; the bow, 361 ; the bar, 362,376 ; the varnish, 363; list of au-thorities on varnish, 367 ; theground-toning, 368 ; Paganini, 369. Vuillaume and Paganini, 371. Welhaven, J. S., poem To OleBull, 380; translation of thesame, 381. Wergeland, H., his Norway toAmerica on Ole Bulls Depart-ure, 383 ; his Norways Fare-well to Ole Bull, 385. Zoller, the Amtmann,


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Keywords: ., bookcentury1800, bookdecade1880, bookidolebullmemoi, bookyear1883