International studio . THE RATTLES ON A WHEELBAR-ROW. BY JEAN DE BOSSCHERE (From The City Curious) THE DRAWINGS OF JEAN DE B0SSCH£RE. THE QUARREL. BYJEAN DE BOSSCHfeRE(From Beasts and Men ) in its love of the grotesque, its its western ancestry is amply provenby such pictures as the Sea-Monsters andthe Fisherman, which is a wild blend ofHieronymus Bosch, Callot, Breughel,Khnopff, a suggestion almost of Hops,and perhaps the slightest dig at Meunier. Especially rich in their satiric powerare the drawings in Beasts and , on page after page, we are given aseries of beasts, or
International studio . THE RATTLES ON A WHEELBAR-ROW. BY JEAN DE BOSSCHERE (From The City Curious) THE DRAWINGS OF JEAN DE B0SSCH£RE. THE QUARREL. BYJEAN DE BOSSCHfeRE(From Beasts and Men ) in its love of the grotesque, its its western ancestry is amply provenby such pictures as the Sea-Monsters andthe Fisherman, which is a wild blend ofHieronymus Bosch, Callot, Breughel,Khnopff, a suggestion almost of Hops,and perhaps the slightest dig at Meunier. Especially rich in their satiric powerare the drawings in Beasts and , on page after page, we are given aseries of beasts, or semi-bestial figures,like Spomken and the Giant, who are morehuman than the people one meets everyday in the street. What more pathetic 199 STUDIO-TALK
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
