Contemporary mandala inspired by Series 1, No. 8. 1919. by Georgia O'Keeffe the renowned American artist. Central copy space to just add text.
There are few artists in history whose work is consistently reduced to the single question: flowers or vaginas? She is best known for her large-scale studies of flowers, painted as if looking at them through a magnifying glass. However, since the early 1920s the vast oil works have been dogged by erotic interpretations and, despite O’Keeffe’s six decades of vigorous denial that her paintings were in any way sexual, it remains a commonly held assumption to this day. Achim Borchardt-Hume, the Tate Modern’s director of exhibitions, said a key reason for hosting the retrospective was to offer O’Keeffe the “multiple readings” she had been denied in the past as a female artist. “O’Keeffe has been very much reduced to one particular body of work, which tends to be read in one particular way,” he said. “Many of the white male artists across the 20th century have the privilege of being read on multiple levels, while others – be they women or artists from other parts of the world – tend to be reduced to one conservative reading. It’s high time that galleries and museums challenge this.” Hannah Ellis-Petersen
Size: 7015px × 4960px
Photo credit: © art mandala / Alamy / Afripics
License: Royalty Free
Model Released: No
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