. On colour, and on the necessity for a general diffusion of taste among all classes : with remarks on laying out dressed geometrical gardens, examples of good and bad taste, illustrated by woodcuts and coloured plates in contrast . §77. EGYPTIAN AND GREEK DESIGNS. 301 extensive to be fully examined here ; and it will be sufficientto notice the earliest instances of some of those with which weare most familiar*, as the so-called Tuscan border (Jig. 1),the zig-zag (the chevron of later days), the scroll (Jig. 3 andwoodcut 48), the volute (Jig. 3, and woodcut 45), and theintersecting circle, (Ji
. On colour, and on the necessity for a general diffusion of taste among all classes : with remarks on laying out dressed geometrical gardens, examples of good and bad taste, illustrated by woodcuts and coloured plates in contrast . §77. EGYPTIAN AND GREEK DESIGNS. 301 extensive to be fully examined here ; and it will be sufficientto notice the earliest instances of some of those with which weare most familiar*, as the so-called Tuscan border (Jig. 1),the zig-zag (the chevron of later days), the scroll (Jig. 3 andwoodcut 48), the volute (Jig. 3, and woodcut 45), and theintersecting circle, (Jig. 4), which are found, with many (49.).
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Keywords: ., booksubjectcolor, booksubjectdecorationandor, booksubjectgardens
