New Physiognomy : or signs of character, as manifested through temperament and external forms, and especially in the "the human face divine." . Fig. 363.—Paul Delaroche. 262 THE FOREHEAD. Byron, Michael Angelo, Raphael, Canova, West, Alston, andother great poets and artists, had this form of forehead. Itaccompanies the mental temper-ament and a fine, high-toned,impressible organization. BENEVOLENCE. The action of the muscular fibers which, passing down from the middle of the forehead, are inserted near the root of the nose, elevates the inner extremi-ties of the brows, causing, w^heu strong, s
New Physiognomy : or signs of character, as manifested through temperament and external forms, and especially in the "the human face divine." . Fig. 363.—Paul Delaroche. 262 THE FOREHEAD. Byron, Michael Angelo, Raphael, Canova, West, Alston, andother great poets and artists, had this form of forehead. Itaccompanies the mental temper-ament and a fine, high-toned,impressible organization. BENEVOLENCE. The action of the muscular fibers which, passing down from the middle of the forehead, are inserted near the root of the nose, elevates the inner extremi-ties of the brows, causing, w^heu strong, short horizontal wrinkles in the center of the forehead, and indicates active JBenevo- /e/ice—kindness translated into deeds. Persons Avith this sign Fig. 364.—Horacb Mann, well developed ai-e not merely sympathetic, but are ready to take hold and helpthose who are in needof assistance. Menhave much more ofthis working Benevo-lence than women,and it is proper theyshould have, as theirpower to help isgreater; but womenare more sympatheticand more readilytouched by pity CONSCIENTIOUSNESS. The sentiment ofConscientiousness isFig. 365.—Dr. Briguam. thought to bc indi- cated by th
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