Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . MM * ; A A 4=*£ [1 ^ 1^ ^Sl £ a=a Here, the notes previous to the first fall of the hand consist in 3 quavers, and the 4^barcontains the value of 5 quavers hefore the dotted double bar; these, 8 quavers tog-ethermake up an entire bar; and on the repetition, all of them must be played so as to formone bar, as strietly in time as any other barin the piece. Th
Complete theoretical and practical piano forte school : from the first rudiments of playing to the highest and most refined state of cultivation with the requisite numerous examples newly and expressly composed for the occasion, opera 500 . MM * ; A A 4=*£ [1 ^ 1^ ^Sl £ a=a Here, the notes previous to the first fall of the hand consist in 3 quavers, and the 4^barcontains the value of 5 quavers hefore the dotted double bar; these, 8 quavers tog-ethermake up an entire bar; and on the repetition, all of them must be played so as to formone bar, as strietly in time as any other barin the piece. The 2? part is exactly similar;for in every Composition, where marks of repetition occur, the number of notes or restsare so computed that they, together with the notes placed at the commencement before thefirst complete bar, shall collectively jform one entire bar, so that no interruption shalltake place in beating* or counting the time. over the last bar before the Marie of repetition, there occurs J*0.; and overthe following* bar there is placed 2^.°; on the second time of playing, all that stands un must be omitted, and consequently we must pass on to the 2^°- Ex: _ 3 3 $ 3, /4, l?o V 2do , g 3 #••* 0 0 0 0 Q 10 0 - • 17 m #=F P *s—^ „ 4 3 f / 2 \fnO V + f . f 1 l +. 1 * . -1 I , +l + -,? A/ JaT :^=P I—* i 5§ Here we see that the incipient notes before the Is* complete bar are not to be repeat-ed, because the first mark of repetition does not occur, till after them. The two bars distinguished by havingl™0 placed over them, are to be played the firsttime; the second time they are to be omitted, and we must go on at once to 2*?°. Thesame is to be observed in the part. , . ,, §4. To save space and useless writing, various marks of abbreviation have been invent-ed, which the pupil must now be taught to know. /? $ several notes connected in a group, as for Ex:the followingpassages -W—^J-^-J-^ or ^X=^^ , are to b
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Keywords: ., bookcentury1800, bookdecade1830, booksubjectpiano, bookyear1839
