Design for a Cartouche, Plate 1 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.' Printed ca. 1750–56 Johann Georg Pintz Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in
Design for a Cartouche, Plate 1 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.' Printed ca. 1750–56 Johann Georg Pintz Page from an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. The binding describes the content as cartouches (after the first series in the album) but it is much more varied, ranging from rocaille ornament and cartouches to designs for altars and pulpits, as well as allegorical compositions in which rococo ornament is featured, all by well-known Rococo designers working in Design for a Cartouche, Plate 1 from 'Neu Inventierte auf die artigste Facon Sehr nutzliche Schild.'. After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Printed ca. 1750–56. Etching. Martin Engelbrecht (German, Augsburg 1684–1756 Augsburg). Johann Georg Pintz (German, 1697–1767)
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