Cylinder seal and modern impression: battle of the gods ca. 2350–2150 Akkadian Although engraved stones had been used as early as the seventh millennium to stamp impressions in clay, the invention in the fourth millennium of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information a
Cylinder seal and modern impression: battle of the gods ca. 2350–2150 Akkadian Although engraved stones had been used as early as the seventh millennium to stamp impressions in clay, the invention in the fourth millennium of carved cylinders that could be rolled over clay allowed the development of more complex seal designs. These cylinder seals, first used in Mesopotamia, served as a mark of ownership or identification. Seals were either impressed on lumps of clay that were used to close jars, doors, and baskets, or they were rolled onto clay tablets that recorded information about commercial or legal transactions. The seals were often made of precious stones. Protective properties may have been ascribed to both the material itself and the carved designs. Seals are important to the study of ancient Near Eastern art because many examples survive from every period and can, therefore, help to define chronological phases. Often preserving imagery no longer extant in any other medium, they serve as a visual chronicle of style and modern impression of the seal is shown so that the entire design can be seen. This seal shows two groups of battling gods, all wearing horned headdresses (visible as horizontal lines with vertical projections at the ends). One group consists of two deities flanking a third, holding his arms down with palms up. Both attacking gods grasp the central deity's headdress, while the god to the right smites him with a mace. In the second group, two deities grasp the same mace and the top of each other's three weeks of excavation at Surkh Dum, Erich Schmidt and the Holmes Expedition to Luristan uncovered a circular mud-brick structure with a platform in the center, perhaps a sanctuary or shrine. The building contained a wealth of objects of bronze, ivory, bone, faience, and ceramic, as well as about two hundred cylinder and stamp seals, most dating from the ninth to the eighth century Some of the object
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