A new history of painting in Italy : from the II to the XVI century . lery of Siena,both of them being predella pictures. MB. PERKINS further ascribes to him alittle Virgin and Child (No. 158) and a Crucifixion in the same Gallery ( (TArte Senese, an. iv., fasc. 2—3), as well as five panels, Press S, , representing the Nativity of the Virgin, her Presentation, her Marriage,the Visitation, and the Adoration of the Magi, in the Christian Museum of theVatican (Rassegna dArte (Milan), Aug. 1906).] 1 He was companion to Matteo of Siena (Doc. Sen., vol. ii., p. 279), and isdes
A new history of painting in Italy : from the II to the XVI century . lery of Siena,both of them being predella pictures. MB. PERKINS further ascribes to him alittle Virgin and Child (No. 158) and a Crucifixion in the same Gallery ( (TArte Senese, an. iv., fasc. 2—3), as well as five panels, Press S, , representing the Nativity of the Virgin, her Presentation, her Marriage,the Visitation, and the Adoration of the Magi, in the Christian Museum of theVatican (Rassegna dArte (Milan), Aug. 1906).] 1 He was companion to Matteo of Siena (Doc. Sen., vol. ii., p. 279), and isdescribed as such by Matteo himself in 1453, and in records of a later date (1457,Doc. Sen., vol. ii., p. 373). His Virgin of Mercy at the Servi is signed : OPUSJOHANNIS D. PETRI Mccccxxxvi, but this inscription is repainted probably on theold lines. The tempera is spare and grey, but the panel has suffered from repainting.[This is by Giovanni di Paolo, the signature has been changed. Cf. LUCY OLCOTT,Guide to Siena.] * .m wivi31*HfrfKUMf***l™***tfttfj<i rmmri T. ALTARPIECE SANO DI PIETRO.
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