. Review of reviews and world's work. THE CHIPPEWA INDIANS RECOGNIZING THh. PAINT- IXG OF THE INDIAN MONSTER, PIASA, IN SHAKESPEARE, THE PLAYMAKER. arikl (acnes oconnor) of native poetry strong in dra-matic color and tones. Thisdemocracy of composition—inthe words of Professor Koch—marks another contribu-tion to the new pageantry ofthe people and suggests a stillfurther development of coope-rative authorship in makingcommunity drama. The peo-ple have often participatedimpressively as actors in acommunity play; but in theseNorth Dakota productions ithas been shown that they canalso, by collabor
. Review of reviews and world's work. THE CHIPPEWA INDIANS RECOGNIZING THh. PAINT- IXG OF THE INDIAN MONSTER, PIASA, IN SHAKESPEARE, THE PLAYMAKER. arikl (acnes oconnor) of native poetry strong in dra-matic color and tones. Thisdemocracy of composition—inthe words of Professor Koch—marks another contribu-tion to the new pageantry ofthe people and suggests a stillfurther development of coope-rative authorship in makingcommunity drama. The peo-ple have often participatedimpressively as actors in acommunity play; but in theseNorth Dakota productions ithas been shown that they canalso, by collaborating underproper leadership, create adrama democratic—a new art —born (jf tlie people, embod\ing their own interpretation of life.
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Keywords: ., bookcentury1800, bookdecade1890, bookidreviewofrevi, bookyear1890
