International studio . A LADY UNKNOWN. CALLED MARY SIDNEY, COUNTESS OF PEMBROKE. BY JOHN HOSKINS. A LADY UNKNOWN, CALLEDMARY SIDNEY. COUNTESS OFPEMBROKE. ARTIST UNKNOWN. A GENTLEMAN UNKNOWN, IN HIS 42ND YEAR (1618). ARTIST UNKNOWN. FROM THE MINIATURES IN THE COLLECTION OF EARL BEAUCHAMP. K VICTORIA AND ALBERT MUSEUM. NOW ON VIEW AT The Beauchamp Miniatures at the Victoria and Albert Museum THE BEAUCHAMP MINIATURES ATTHE VICTORIA AND ALBERT MU-SEUM. BY T. MARTIN WOOD THE history of miniature painting inEngland resolves itself into threeperiods. With each of these the artappears to be rebo
International studio . A LADY UNKNOWN. CALLED MARY SIDNEY, COUNTESS OF PEMBROKE. BY JOHN HOSKINS. A LADY UNKNOWN, CALLEDMARY SIDNEY. COUNTESS OFPEMBROKE. ARTIST UNKNOWN. A GENTLEMAN UNKNOWN, IN HIS 42ND YEAR (1618). ARTIST UNKNOWN. FROM THE MINIATURES IN THE COLLECTION OF EARL BEAUCHAMP. K VICTORIA AND ALBERT MUSEUM. NOW ON VIEW AT The Beauchamp Miniatures at the Victoria and Albert Museum THE BEAUCHAMP MINIATURES ATTHE VICTORIA AND ALBERT MU-SEUM. BY T. MARTIN WOOD THE history of miniature painting inEngland resolves itself into threeperiods. With each of these the artappears to be reborn. In an articlein The Studio for January on the Buccleuchcollection, I compared results attained indifferent mediums, and in this article I shallmake further comparisons of the same kind,but I recognize that at this stage it would bemore useful to make all my comparisons withinthe limits of one of the divisions, between theminiatures of artists employing the same medium,and not between results achieved by methodsthat
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
