. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . r-3 i-J- -jTu. 41-t^ =t|d:3 K -•V- 9% Of: ■fr? 1 » M M„f r,^, rrJt^ i -F-#—4 GI- I I IGlazounow. Op. 75 1 -*—•- -•—a !• P-pfq^z iffl P •- fa— Bf •—^ p y--t-z^ 1E^ rsT3- 032 j=f f ^RWM: * s F3 |i=3*E 1 174 THE THEORY AND PRACTICE OF TONE-RELATIONS. Par. 284. 3. Allegro i •-C -*£>- Wagner. Meistersinger Lf,f*f f-c-r-T* s tf <2— Tt 6* :?£ 2=^^ ga r^VSl- 4*=** fe3 J^£2 ©»- I -(2- —& s?- C V r 4. Grazioso, poco vivace. $ r—1—fa P-C , h- *=» SE •*-1Ws- I*. rzV. //<?/£* * .

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. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . r-3 i-J- -jTu. 41-t^ =t|d:3 K -•V- 9% Of: ■fr? 1 » M M„f r,^, rrJt^ i -F-#—4 GI- I I IGlazounow. Op. 75 1 -*—•- -•—a !• P-pfq^z iffl P •- fa— Bf •—^ p y--t-z^ 1E^ rsT3- 032 j=f f ^RWM: * s F3 |i=3*E 1 174 THE THEORY AND PRACTICE OF TONE-RELATIONS. Par. 284. 3. Allegro i •-C -*£>- Wagner. Meistersinger Lf,f*f f-c-r-T* s tf <2— Tt 6* :?£ 2=^^ ga r^VSl- 4*=** fe3 J^£2 ©»- I -(2- —& s?- C V r 4. Grazioso, poco vivace. $ r—1—fa P-C , h- *=» SE •*-1Ws- I*. rzV. //<?/£* * .1 Jh^tr^r 91=^4=^ ft=l**:=1^ m H—I—I—I—\ 3 1 1 1 *4) J J 1 Brahms. Op. 76, No. 8 ,.—1 1 1 lE^E^S^EE* *dm:

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