Modern harmony, its explanation and application . fM^ ^f^l^t*:^^ .;p^^ J^li. %P-L>L ^ M 1 ^ J 1 ^?^^ l^u^ ^^ ^ . 1 J ^^^ ^= (Scheme.) This view of the octave being composed of twelve equaldivisions admits long successions of intervals or chordsexactly equal in quality. This constitutes a new harmonicprinciple capable of wide application, ranging from thesuggestion of a remote modal feeling to passages of purposelyevasive tonality, and to such beautiful expressions as thefollowing: Ex. 70. Andante. P CORDER, Elegy in E m^ ^^ fTT % (pf.) cantabile ma m ^ piano TT 10- _ una corda


Modern harmony, its explanation and application . fM^ ^f^l^t*:^^ .;p^^ J^li. %P-L>L ^ M 1 ^ J 1 ^?^^ l^u^ ^^ ^ . 1 J ^^^ ^= (Scheme.) This view of the octave being composed of twelve equaldivisions admits long successions of intervals or chordsexactly equal in quality. This constitutes a new harmonicprinciple capable of wide application, ranging from thesuggestion of a remote modal feeling to passages of purposelyevasive tonality, and to such beautiful expressions as thefollowing: Ex. 70. Andante. P CORDER, Elegy in E m^ ^^ fTT % (pf.) cantabile ma m ^ piano TT 10- _ una corda * * * * [equal major 3rds] 88 MODERN HARMONY


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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915