. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . By this you fee, that If both the Parts move thefame way, one of them by a Degree, the otherby a Leap , that Leap (1 fay) being broken intoDegrees, begets a Confecution o£ two Pertedis ofthe fame kind 5 and where both Parts Leap thefame waV) if you break thofe Leaps into Degrees,there will arife from thofe Degrees, Three of thefame Perfeds. And this implicit Confecution of^ths, and ^tbs arifing from thofe Degrees, is-thatwhich renders fuch Paffages lefs pleaiing to theEar, and are thereupon named D


. A compendium: or, introduction to practical music. In five parts. ... By Christopher Sympson . By this you fee, that If both the Parts move thefame way, one of them by a Degree, the otherby a Leap , that Leap (1 fay) being broken intoDegrees, begets a Confecution o£ two Pertedis ofthe fame kind 5 and where both Parts Leap thefame waV) if you break thofe Leaps into Degrees,there will arife from thofe Degrees, Three of thefame Perfeds. And this implicit Confecution of^ths, and ^tbs arifing from thofe Degrees, is-thatwhich renders fuch Paffages lefs pleaiing to theEar, and are thereupon named Difallowances. These which I have (hewed may ferve for yourunderftanding of che reil j for they are all of thefame nature, excepting One, which Mr. Morley and


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Keywords: ., bookcentury1700, bookdecade1730, bookidcompendiumor, bookyear1732