International studio . withany attempt to create an illusion ofactuality. This declaration of principlescontinues to hold good, not excluding the more or less in relation to design oftwo dimensions, for not all the membersof the group are averse to the use ofshadows, though they may use them for adifferent purpose than that of creating anillusion of actuality. We include with our192 illustrations two of the paintings contri-buted to this exhibition by Mr. ReginaldHiggins and Mr. Ethelbert White respec-tively. The display comprises, in additionto numerous pictures, an interesting assort-ment of
International studio . withany attempt to create an illusion ofactuality. This declaration of principlescontinues to hold good, not excluding the more or less in relation to design oftwo dimensions, for not all the membersof the group are averse to the use ofshadows, though they may use them for adifferent purpose than that of creating anillusion of actuality. We include with our192 illustrations two of the paintings contri-buted to this exhibition by Mr. ReginaldHiggins and Mr. Ethelbert White respec-tively. The display comprises, in additionto numerous pictures, an interesting assort-ment of designs for textiles, posters, etc.,and some pottery. 000aThe British Institute of Industrial Artwas inaugurated rather more than a yearago at the instance of two Governmentdepartments—the Boards of Trade andEducation—and in its scheme of operations,of which an account was given in thesepages at the time, a prominent placewas given to the holding of a permanentexhibition of work by individual craftsmen STUDIC-TALK. the ribbon counterby reginald higgins(decorative art group) and the productions of wholesale manu-facturers. This part of the Institutesprogramme has reached the stage of ful-filment in an exhibition now being heldat the commodious building forming thehead-quarters of the Institute at Knights-bridge, opposite the Guards barracks,and as a beginning it is certainly deservingof commendation. We hope to refer morefully to it in our next issue, and to illus-trate a few of the things shown. a c PRAGUE.—Though the third centen-ary of Shakespeares death came ata time when Europe was in the throes ofa gigantic struggle, the occasion did not pass unheeded even here among theCzechs, where the great poet-dramatistsgenius has many earnest students andworshippers. Among these is the painter-etcher, Jan Konupek, who seized theoccasion to render homage to this uniquefigure in the worlds literature by a cycle orset of sixteen large plates (published by of Prague), in wh
Size: 1428px × 1749px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
