Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . d with a littlecross-window closed by a large tabernacle formed of two slimdemi-colonnettes of terra cotta and feeble cornices A\ith bricksdisposed in zig-zag. Below bends the central apsis, in whichmay be seen the same vertical projections, small niches, arches,and cornices which we have seen in S. Ambroise, and, Avhat ismore, in the same quantity and in the same order. The interiorhas smooth Avails, in Avhich are numerous broad and higharched AvindoAvs, f that abundantly light the church. Ther
Architecture in Italy, from the sixth to the eleventh century; historical and critical researches . d with a littlecross-window closed by a large tabernacle formed of two slimdemi-colonnettes of terra cotta and feeble cornices A\ith bricksdisposed in zig-zag. Below bends the central apsis, in whichmay be seen the same vertical projections, small niches, arches,and cornices which we have seen in S. Ambroise, and, Avhat ismore, in the same quantity and in the same order. The interiorhas smooth Avails, in Avhich are numerous broad and higharched AvindoAvs, f that abundantly light the church. There isno artistic work there except the capitals of the columns, whichare very varied both in dimensions and in style. They are ingreat part Eoman and Christian of the first centuries, comingvery likely from the ruins of an ancient church. There is,hoAvever, one Avhich, as I said in a preceding chapter, betrays theByzantine chisel of the eighth century, and several others thatdoubtless belong to the same period as the church, though ?? In the Keport of the Lombard Institute. \ M. x 251
Size: 1462px × 1708px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1890, booksubjectarchitecture, bookyea
